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Article Interpretations of Murano Glass in Interior Design Through Its Functional, Decorative, and Artistic Values(Anadolu Univ, 2025) Sengul, Ipek; Erdogan, Busra NurMurano glass is a world-renowned type ofglass produced on the island of Murano, located in Venice, Italy. It is distinguished by its traditional handcrafting techniques, a wide range of colors, high transparency, and its role as an aesthetic design element. Murano glass isutilized in interior spaces both as a functional and a decorative element. This study aims to examine the functional, decorative, and artistic uses of Murano glass in interior architeture. The research evaluates how Murano glass shapes spatial perception, the relationship between its material properties and usage types, and its contributions to interior spaces. Initially, interior elements that use Murano glass as the primary material were investigated. Following a literature review, the usage areas of Murano glass were detailed under the categories of lighting elements, wall panels and mosaics, space dividers, furniture and decorative accessories, artistic installations, and sculptures. Based on the collected data, the study identifies how Murano glass contributes to interior architecture in terms of functio nality, decoration, and artistic value, as well as how its material properties enhance interior spaces. It was observed that the significance of each usage type varies across categories, with certain functions being more prominent in specific applications. In conclusion, considering the diverse applications of Murano glass in interior architecture, its role in spatial aesthetics and decorative value has been emphasized.Review İŞBİRLİKÇİ BASKI ATÖLYELERİNİN KÜRATORYAL PRATİKLERİ(Anadolu Univ, 2023) Gündoğdu, Doğuİşbirlikçi baskı atölyeleri, sanatçıların yüksek kurulum ve işletme maliyetleri olan baskı atölyelerine erişim imkânı bulmalarına ve gerekirse bir usta baskıcı eşliğinde çağdaş baskı üretmelerine olanak veren önemli kurumlardır. Özellikle Avrupa’da pek çok özel işbirlikçi baskı atölyesi bulunmaktadır. Özel işbirlikçi baskı atölyelerinin tercih ettiği çalışma modellerinden biri de yayımcılıktır. Yayımcılık modeli ile çalışan atölyeler genellikle davet ettiği sanatçılarla işbirliği içerisinde ürettiği baskıları satarak kazanç elde etmektedir. Özel işbirlikçi baskı atölyelerinin sürdürülebilir satışlar yapabilmesi ve narin yapıda olan kâğıt işlerin çevresel faktörlerden doğru şekilde korunarak, iyi bir koleksiyon oluşturulabilmesi için özel küratoryal çalışmalara ihtiyaç duyulmaktadır. Baskıların sanatçı tarafından numaralandırılarak imzalanması, baskılara atölye damgasının basılması, üretilen baskıların sertifikalarının hazırlanması, baskıların sistematik bir biçimde arşivlenmesi, baskıların sağlıklı bir biçimde çevresel faktörlerden korunması, baskıların gerekli durumlarda doğru şekilde paketlenerek nakledilmesi, baskıların çerçevelenmesi, sunum ve sergilerin organize edilmesi gibi faaliyetler özel işbirlikçi baskı atölyelerinin ihtiyaç duyduğu temel küratoryal pratikleri oluşturur. Bu makalede özel işbirlikçi baskı atölyelerinin ihtiyaç duyabileceği temel küratoryal pratikler alanyazın taraması yapılarak tanımlanmış ve bu pratikler Ankara’daki Türkiye'nin güncel tek özel işbirlikçi litografi atölyesi olan Dou Print Studio’daki deneyimlere ve gözlemlere dayalı olarak incelenmiştir. Bu çalışma ile Türkiye’deki baskı resim kültürüne katkı sağlayacak ve Türkiye’deki baskı atölyelerini, sanat galerilerini ve baskı koleksiyonerlerini baskıların etik standartları hakkında bilgilendirecek ve baskıların korunmasına yönelik bilinçlendirecek bir kaynak oluşturmak amaçlanmıştır.Article Collaboration in Art: Collaborative Printmaking Workshop and Master Printer(Anadolu Univ, 2022) Gundogdu, DoguPrinting dates back to pre-written history, in the beginning it was only a means of reproduction, in time, it took a place among the means of artistic expressions with its artistic use. Printmaking, which forms the basis of graphic arts, requires serious technical knowledge and workshops with high installation and operating costs. This makes printmaking inaccessible to many artists by leaving it a very traditional means of production. The idea of the collaborative printmaking workshops with master printer accompaniment, has had a serious impact on the production of contemporary prints in printmaking. For the artists who do not have sufficient technical knowledge and skills in printing techniques or who do not have access to printing workshops; collaborative printmaking workshops with master printer accompaniment are institutions which allow artists from different disciplines to produce works in the field of printmaking. Throughout history, collaborative printmaking workshops helped revealing the true potential of printmaking and contributed to the transformation of printmaking into a contemporary means of expression by getting rid of its traditional attitude. In this article, the roles of the collaborative printmaking workshop and the master printmaker are examined while the working models of collaborative printmaking workshops are being discussed. The article also discusses how the printmaking can earn a function in the contemporary art market.Article The Effects of Common Basic Design Workshops in The Industrail Design Education Held Between 2014-2019(Anadolu Univ, 2021) Ozsuca, Fatma FilizAs in all design disciplines, Industrial Design education starts with "Basic Design". It is the most challenging stage for students to learn in a method and to visualize abstract subjects practically that is never encountered until the end of secondary education. According to present data there are 32 universities providing Industrial Design education in Turkey. With the format of a workshop started in 2014 in Ankara where 5 of these universities are located, the effects of common and different methods of student profiles on education were observed. The aim of the workshop format is to introduce students, lecturers and course contents, and the methods of processing to each other, and to help the students with the same education to acquire the ability to do business on common grounds. It is also important to exhibit the works done as workshop outputs. A total of 3 workshops were held in the same format. After 2017, workshops were held in a different format as a result of the increase in the number of students registered in universities and spatial limitations. In this article, joint workshops and joint workshops between different schools and Atilim University Department of Industrial Design have been examined. It is known that in addition to the workshops examined here, there are also collaborative workshops between different schools.
