China's Charm Defensive: Image Protection by Acquiring Mass Entertainment

dc.authoridElikucuk Yildirim, Nilgun/0000-0002-4006-1401
dc.authoridAslan, Mesut/0000-0003-0299-0928
dc.authorscopusid57211575767
dc.authorscopusid57216493395
dc.authorwosidElikucuk Yildirim, Nilgun/AAG-3156-2020
dc.authorwosidAslan, Mesut/GQP-7058-2022
dc.contributor.authorYildirim, Nilgun Elikucuk
dc.contributor.authorAslan, Mesut
dc.contributor.otherEnergy Systems Engineering
dc.date.accessioned2024-07-05T15:38:40Z
dc.date.available2024-07-05T15:38:40Z
dc.date.issued2020
dc.departmentAtılım Universityen_US
dc.department-temp[Yildirim, Nilgun Elikucuk; Aslan, Mesut] Atilim Univ, Dept Int Relat, Ankara, Turkeyen_US
dc.descriptionElikucuk Yildirim, Nilgun/0000-0002-4006-1401; Aslan, Mesut/0000-0003-0299-0928en_US
dc.description.abstractFocusing on discussion of China's soft power resources, this article argues that China performs two kinds of soft power strategies in developing and developed countries: offensive and defensive, respectively. While China's charm offensive aims to consolidate her comprehensive power through a development model, aid, investment, traditional culture, foreign policy, and international broadcasting in developing countries, the defensive aspect of China's soft power strategy aims to soften the rise of China with traditional culture by introducing appealing parts of Chinese culture through investments and international broadcasting in Western countries. China applies classical soft power tools in developing countries while she endeavors to protect her image in Western countries defensively. China's alternative defensive approach to soft power is mostly implemented through the acquisition of media outlets, and via the entertainment sector and gaming industry by Chinese-owned companies. However, even in the defensive and offensive bifurcation, if charm attacks result in failure, China could turn take a defensive stance in developing countries.en_US
dc.identifier.citation4
dc.identifier.doi10.1111/pafo.12153
dc.identifier.endpage171en_US
dc.identifier.issn1225-4657
dc.identifier.issn1976-5118
dc.identifier.issue1en_US
dc.identifier.scopus2-s2.0-85083635316
dc.identifier.scopusqualityQ3
dc.identifier.startpage141en_US
dc.identifier.urihttps://doi.org/10.1111/pafo.12153
dc.identifier.urihttps://hdl.handle.net/20.500.14411/3137
dc.identifier.volume35en_US
dc.identifier.wosWOS:000527823700006
dc.identifier.wosqualityQ4
dc.institutionauthorEliküçük Yıldırım, Nilgün
dc.language.isoenen_US
dc.publisherWileyen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectsoft poweren_US
dc.subjectcharm defensiveen_US
dc.subjectChinese foreign direct investmentsen_US
dc.subjectentertainment sectoren_US
dc.titleChina's Charm Defensive: Image Protection by Acquiring Mass Entertainmenten_US
dc.typeArticleen_US
dspace.entity.typePublication
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relation.isAuthorOfPublication.latestForDiscovery5cec89db-bdf6-4372-986b-08b47976a28d
relation.isOrgUnitOfPublication80f84cab-4b75-401b-b4b1-f2ec308f3067
relation.isOrgUnitOfPublication.latestForDiscovery80f84cab-4b75-401b-b4b1-f2ec308f3067

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