Gender representation in new media through global calendar photographs
dc.authorscopusid | 56942420300 | |
dc.authorscopusid | 6602658803 | |
dc.contributor.author | Karabacak,Z.I. | |
dc.contributor.author | Özgen,Ö. | |
dc.contributor.other | Physics Group | |
dc.contributor.other | Public Relations and Advertising | |
dc.date.accessioned | 2024-09-10T21:35:47Z | |
dc.date.available | 2024-09-10T21:35:47Z | |
dc.date.issued | 2020 | |
dc.department | Atılım University | en_US |
dc.department-temp | Karabacak Z.I., Faculty of Architecture and Design, Department of Visual Communication Design, TOBB University of Economics and Technology, Turkey; Özgen Ö., Atilim University, Turkey | en_US |
dc.description.abstract | New media that enables access to more people is a preferred platform by Lavazza for bringing together consumers from all around the world within the framework of coffee culture by means of photography. Lavazza calendar photos (1993-2012) have been analysed using Dyer's non-verbal communication means and lines of appeal under the following headings: "Sexually Highlighted Female Body in Lavazza Calendar Photos, ″ "Different Sexual Orientations as Secondary Emphasis of Lavazza Calendar Photos, ″ "Idealized Body Look of Models of Lavazza Calendars, ″ "Roles of Women and Men in Family in Lavazza Calendar Photos, ″ "Queens and Superheroines in Lavazza Calendars, ″ "Widespread Representation of White Race in Lavazza Calendar Photos, ″ "Italian Cities and Italian Local and National Items in Lavazza Calendars, ″ "Signs of Different Geography, Culture and Life Styles in Lavazza Calendar Photos, ″ and "Lines of Appeal in Lavazza Calendar Photos.'' According to the findings, both non-verbal means of communication in terms of gender and lines of appeal in Lavazza calendar photos in new media have changed over the years. © 2021, IGI Global. | en_US |
dc.identifier.citation | 0 | |
dc.identifier.doi | 10.4018/978-1-7998-3201-0.ch025 | |
dc.identifier.endpage | 450 | en_US |
dc.identifier.isbn | 978-179983203-4 | |
dc.identifier.isbn | 978-179983201-0 | |
dc.identifier.scopus | 2-s2.0-85128075501 | |
dc.identifier.scopusquality | N/A | |
dc.identifier.startpage | 433 | en_US |
dc.identifier.uri | https://doi.org/10.4018/978-1-7998-3201-0.ch025 | |
dc.identifier.uri | https://hdl.handle.net/20.500.14411/7366 | |
dc.identifier.wosquality | N/A | |
dc.institutionauthor | Özgen, Özge | |
dc.institutionauthor | Özgen, Özlen | |
dc.language.iso | en | en_US |
dc.publisher | IGI Global | en_US |
dc.relation.ispartof | Handbook of Research on New Media Applications in Public Relations and Advertising | en_US |
dc.relation.publicationcategory | Kitap Bölümü - Uluslararası | en_US |
dc.rights | info:eu-repo/semantics/closedAccess | en_US |
dc.subject | [No Keyword Available] | en_US |
dc.title | Gender representation in new media through global calendar photographs | en_US |
dc.type | Book Part | en_US |
dspace.entity.type | Publication | |
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