Gendered Space in Alexander Mccall Smith’s the No. 1 Ladies’ Detective Agency

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Date

2021

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Ovidius University

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English Translation and Interpretation
(2001)
Since 2001, our Department has offered education at an extent that matches the similar Departments of European Universities, with a program that involves theoretical and practical courses within the frameworks of translation and interpretation. The goals that we aim our students to reach involve the utilization of knowledge, behaviors and equipment, interpersonal operation in interpretation, the management of the process of production, expertise in language skills with respect to fields and general culture, and access to information. Our students have no difficulty in being hired upon graduation, having gained an awareness regarding the expectations and the conditions of the professional life through our strong cooperation with the national and the international sector. With French and Russian courses offered for 4 years, our students steal the spotlight in the market, having obtained a C-Language Certificate. Our graduates are employed as freelance interpreters, institution interpreters, regulators as multi-layered language experts, terminology experts, subtitle experts and web localization experts.

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Abstract

Classic detective fiction provides an ideal space where issues of gender identities can be investigated along with the changing modes of crime fiction. Previously, in detective or crime fiction, women were displayed as victims or villains attached with social and cultural stereotypes. However, beginning in the 80s and 90s female characters started to be represented as detectives and investigators, which allowed space to the renegotiating of women’s place in social and gender norms. Against this background, Alexander McCall Smith comes to the fore as a unique author who has managed to create the Mma Ramontswe character, owner of Ladies’ No. 1 Detective Agency in an African setting, mainly Botswana, the country where he lived as a child and as a youth. Mma Ramotswe is an unconventional detective conducting her amateur profession in a space predominantly inhabited by herself and a fellow assistant lady detective. The novels evolving around No. 1 Ladies’ Detective Agency in serial form develop in two tracks. Firstly, the office of the agency is essentially a space for lady detectives which provides a metaphorical opportunity to explore gender roles in the less known country of Botswana, a former British colony, within the frame of postcolonial issues that are dealt with extreme subtlety by the author. Secondly, the outer space, which is Africa, where the stories occur is a geographical space recreated by a Scottish, white, medical law professor who never refrains from displaying his partiality towards Africa. Hence, the outer space becomes subject to a representation by the interpretation of a male author belonging to the colonial culture. Consequently, my presentation will focus on the discussion of metaphorical representation of gendered space in the detective fiction of Alexander McCall Smith and the social, cultural and postcolonial aspects of the representation of Africa being the outer space of these novels. © 2021 Ovidius University. All rights reserved.

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detective fiction, gender, Mother Africa, postcolonial fiction, space

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Q4

Source

Analele Universitatii Ovidius Constanta, Seria Filologie

Volume

32

Issue

2

Start Page

65

End Page

75

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