Gendered Space in Alexander Mccall Smith’s the No. 1 Ladies’ Detective Agency

dc.contributor.author Aksoy,N.B.
dc.contributor.other English Translation and Interpretation
dc.contributor.other 02. School of Arts and Sciences
dc.contributor.other 01. Atılım University
dc.date.accessioned 2024-10-06T11:16:48Z
dc.date.available 2024-10-06T11:16:48Z
dc.date.issued 2021
dc.description.abstract Classic detective fiction provides an ideal space where issues of gender identities can be investigated along with the changing modes of crime fiction. Previously, in detective or crime fiction, women were displayed as victims or villains attached with social and cultural stereotypes. However, beginning in the 80s and 90s female characters started to be represented as detectives and investigators, which allowed space to the renegotiating of women’s place in social and gender norms. Against this background, Alexander McCall Smith comes to the fore as a unique author who has managed to create the Mma Ramontswe character, owner of Ladies’ No. 1 Detective Agency in an African setting, mainly Botswana, the country where he lived as a child and as a youth. Mma Ramotswe is an unconventional detective conducting her amateur profession in a space predominantly inhabited by herself and a fellow assistant lady detective. The novels evolving around No. 1 Ladies’ Detective Agency in serial form develop in two tracks. Firstly, the office of the agency is essentially a space for lady detectives which provides a metaphorical opportunity to explore gender roles in the less known country of Botswana, a former British colony, within the frame of postcolonial issues that are dealt with extreme subtlety by the author. Secondly, the outer space, which is Africa, where the stories occur is a geographical space recreated by a Scottish, white, medical law professor who never refrains from displaying his partiality towards Africa. Hence, the outer space becomes subject to a representation by the interpretation of a male author belonging to the colonial culture. Consequently, my presentation will focus on the discussion of metaphorical representation of gendered space in the detective fiction of Alexander McCall Smith and the social, cultural and postcolonial aspects of the representation of Africa being the outer space of these novels. © 2021 Ovidius University. All rights reserved. en_US
dc.identifier.issn 1224-1768
dc.identifier.scopus 2-s2.0-85126465679
dc.identifier.uri https://hdl.handle.net/20.500.14411/9547
dc.language.iso en en_US
dc.publisher Ovidius University en_US
dc.relation.ispartof Analele Universitatii Ovidius Constanta, Seria Filologie en_US
dc.rights info:eu-repo/semantics/closedAccess en_US
dc.subject detective fiction en_US
dc.subject gender en_US
dc.subject Mother Africa en_US
dc.subject postcolonial fiction en_US
dc.subject space en_US
dc.title Gendered Space in Alexander Mccall Smith’s the No. 1 Ladies’ Detective Agency en_US
dc.type Article en_US
dspace.entity.type Publication
gdc.author.institutional Aksoy, Nüzhet Berrin
gdc.author.scopusid 36772736500
gdc.coar.access metadata only access
gdc.coar.type text::journal::journal article
gdc.description.department Atılım University en_US
gdc.description.departmenttemp Aksoy N.B., Atılım University, Ankara, Turkey en_US
gdc.description.endpage 75 en_US
gdc.description.issue 2 en_US
gdc.description.publicationcategory Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı en_US
gdc.description.scopusquality Q4
gdc.description.startpage 65 en_US
gdc.description.volume 32 en_US
gdc.scopus.citedcount 0
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