TRANSLATION of FEMINIST CHILDREN’S LITERATURE: A WRITING PROJECT

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Date

2021

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Ovidius University

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English Translation and Interpretation
(2001)
Since 2001, our Department has offered education at an extent that matches the similar Departments of European Universities, with a program that involves theoretical and practical courses within the frameworks of translation and interpretation. The goals that we aim our students to reach involve the utilization of knowledge, behaviors and equipment, interpersonal operation in interpretation, the management of the process of production, expertise in language skills with respect to fields and general culture, and access to information. Our students have no difficulty in being hired upon graduation, having gained an awareness regarding the expectations and the conditions of the professional life through our strong cooperation with the national and the international sector. With French and Russian courses offered for 4 years, our students steal the spotlight in the market, having obtained a C-Language Certificate. Our graduates are employed as freelance interpreters, institution interpreters, regulators as multi-layered language experts, terminology experts, subtitle experts and web localization experts.

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Abstract

Within the framework of Feminist Translation Studies, translation is considered a writing project to resist misogynistic conventions of patriarchal language and (re)create discourses with womanist perspectives. The aim of this study is to focus on the approaches adopted by a Turkish feminist translator in translating the feminist author Sheri Radford’s children’s work, Not Just Another Princess Story, written from a feminist point of view and published by a Turkish publishing house working with feminist ideology. The language used in children’s literature has an impact on children’s conceptualization of the world by creating cognitive patterns of gender, race, class, and sexuality. Bearing this in mind, this study aims to reveal the preferences of the translator in translating the fairy tale and modelling a world in which girls have control over their lives. The descriptive analysis demonstrates that when the feminist author, the feminist translator, and the feminist publishing house act together on a writing project, the translator, still somehow visible, tends to use a literal translation strategy dominantly and act faithfully in the translation process. The translator also has the purpose of reflecting the ideology of the writer rather than opting for feminist translation strategies such as subtitling, footnoting, prefacing, hijacking, and italicizing, which are frequently adopted in the translation of the non-feminist works. © 2021 Ovidius University. All rights reserved.

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feminist children’s literature, feminist ideology, feminist translation, feminist translator, translation as a writing project

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0

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Q4

Source

Analele Universitatii Ovidius Constanta, Seria Filologie

Volume

32

Issue

2

Start Page

104

End Page

114

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