Emotional Structure of Dialogues in Aging-Themed Movies: an Analysis on Text Mining

dc.authoridErgun, Duygu/0000-0002-5639-8615
dc.authorscopusid58099851400
dc.authorscopusid54586197500
dc.authorscopusid59242702100
dc.contributor.authorErgun, Duygu
dc.contributor.authorTakan, Savas
dc.contributor.authorKatipoglu, Gokmen
dc.date.accessioned2024-09-10T21:32:57Z
dc.date.available2024-09-10T21:32:57Z
dc.date.issued2024
dc.departmentAtılım Universityen_US
dc.department-temp[Ergun, Duygu] Atilim Univ, Ankara, Turkiye; [Ergun, Duygu] Usak Univ, Usak, Turkiye; [Takan, Savas] Ankara Univ, Ankara, Turkiye; [Katipoglu, Gokmen] Kars Kafkas Univ, Kars, Turkiye; [Ergun, Duygu] Fac Commun, Dept Radio TV & Cinema, TR-64200 Usak, Turkiyeen_US
dc.descriptionErgun, Duygu/0000-0002-5639-8615en_US
dc.description.abstractEmotions play an important role in the process of media messages transforming the audience. In our study, starting from the question of what might be the dominant emotions in old age-themed cinema texts, it is aimed to obtain clues about how old age is constructed in cinema through these emotions and what kind of emotional structure about old age is imposed on the audience. In this direction, emotion analysis was applied to the dialogues of 379 old age-themed films shot in a period of 100 years to determine what kind of emotional structure is constructed in all old age-themed cinema texts. As a result, it was found that the most dominant emotion was anger and disgust. The findings were categorized according to three different periods (1920-1969, 1970-1999, 2000-2020) and interpreted in a descriptive approach in a historical perspective and within the framework of the cinemas of the in addition to the EU, Germany, France, the UK, and Japan, Turkish cinema to make a comparison, where the most old age films were made. It is expected that our study will set an example for text mining research in cinema and offer an alternative perspective to the discussions on the phenomenon of aging in cinema.en_US
dc.description.sponsorshipWith our thanks to Prof. Dr Oya Paker.en_US
dc.description.woscitationindexSocial Science Citation Index
dc.identifier.citationcount0
dc.identifier.doi10.1177/21582440241260502
dc.identifier.issn2158-2440
dc.identifier.issue3en_US
dc.identifier.scopus2-s2.0-85200222780
dc.identifier.scopusqualityQ1
dc.identifier.urihttps://doi.org/10.1177/21582440241260502
dc.identifier.urihttps://hdl.handle.net/20.500.14411/7279
dc.identifier.volume14en_US
dc.identifier.wosWOS:001282364300001
dc.identifier.wosqualityQ2
dc.language.isoenen_US
dc.publisherSage Publications incen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.scopus.citedbyCount0
dc.subjectagingen_US
dc.subjectcinemaen_US
dc.subjecttext miningen_US
dc.subjectemotion analysisen_US
dc.subjectsociology of emotionsen_US
dc.subjectdialogen_US
dc.titleEmotional Structure of Dialogues in Aging-Themed Movies: an Analysis on Text Miningen_US
dc.typeArticleen_US
dc.wos.citedbyCount0
dspace.entity.typePublication

Files

Collections