RED VIENNA: IDEOLOGY, ARCHITECTURE AND ART IN THE REUMANNHOF MUNICIPAL SOCIAL HOUSING;

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Date

2024

Journal Title

Journal ISSN

Volume Title

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Middle East Technical University

Research Projects

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Organizational Unit
Fine Arts and Elective Courses
(2016)
The Department of Fine Arts and Elective Courses was founded under the School of Fine Arts Design and Architecture in 2016. Within the field of Fine Arts, and during our elective courses offered in English and Turkish for the undergraduate students of our University, our students learn about topics such as art history, art criticism, the relationship between art and society, cultural heritages and their protection, museums and museum studies. We contribute to the self and artistic improvement of our students through practice courses in the fields of music, theater, film, photography, dance, art, comics, statues, tile-glazing, mosaics, ceramics, elocution, rhetoric, sign language and digital art. We aim our students to gain the skills of the 21st century such as entrepreneurship, creativity, critical thinking, problem solving, correct self-expression, flexibility, harmony, media and technology, self-guidance, responsibility, social and intercultural communication; through art. The courses of Theater for Entrepreneurship Skills and Creativity in Professional Life are offered in English, and are within the scope of non-elective Entrepreneurship courses.

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Abstract

This study focuses on the Reumannhof Social Housing Complex, which was designed by Hubert Gessner (1871–1943) and constructed between 1924 and 1926 in Vienna. It was one of the largest buildings as part of the Municipal Social Housing Program for workers implemented under the leadership of Jakob Reumann, who was the mayor of Vienna between 1919 and 1923. According to the social democratic ideology in Vienna, known as the Red Vienna period (1919–1934) of the city administration, this program aimed to meet the housing needs of the working class and to provide them with better living conditions. Due to the increase in worker migration to the city after the Industrial Revolution and upon the demolition of the city during World War I, a housing crisis emerged in Vienna and unfavorable living conditions - such as one-room apartments and rental beds even for a few hours - became a necessity. The paper attempts to probe into the nature of the connection between the Reumannhof Complex architecture and the Red Vienna ideology in light of the social democratic perspective of the working class. In order to do so, the entire structure - known as “the palace of the working class” - is analyzed in detail while pointing to similar social housing complexes, such as Metzleinstalerhof on the Margaretengürtel known as “Proletarian’s Boulevard” and nearby. Additionally, the standardization criteria, as envisioned within the context of the social housing program, are examined to find out any traces of their presence (or improvements/modifications upon them) in the Reumannhof Complex. In the context of the political and socio-economic conditions of that era, a comparative analysis of the architectural elements and landscape architecture is conducted, such as courtyards and Haydnpark on the front in the latter case. Original archival documents, photographs, and drawings of the complex were collected and during the course of the field research, photographs were taken. © (2024), (Middle East Technical University). All rights reserved.

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Keywords

architecture, ideology, ideoloji, kızıl Viyana, mimarlık, red Vienna, Reumannhof, Reumannhof, social housing, sosyal konut

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0

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N/A

Source

Metu Journal of the Faculty of Architecture

Volume

41

Issue

1

Start Page

45

End Page

76

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