Modernitenin Hukukuna Metropolis Filmi Bağlamında Paralaks Bir Bakış

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2020

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Law
(2003)
Started in 2003 with 21 students, the Atılım University School of Law has so far graduated over 1700 students, and currently offers education for more than 1300 students. With the aim stressed by our Founding Dean Prof. Dr. Nami Çağan, we grant students with the background that allows them to access and evaluate information, rather than overloading them with information dumps during our education and training in the field of law. With a curriculum prepared with this approach and our mission in mind, we aim to graduate our students as actual legal experts who have internalized ethical rules, who are knowledgeable in terms of rules and institutions; and who are cultured, versatile, broad-visioned and inquisitive. In addition to basic courses in law conducted by our academic staff as pioneers of their field with respect to these principles, elective courses are available pursuant to current events such as those in mediation for legal disagreements, law and women, sports law, informatics law, media law and legal English; as well as law clinics to offer effective and interactive education. In addition, graduate and doctorate degree programs, alongside certificate programs such as those to train experts, peace-makers, mediators, and trustees in composition, are underway. A member of the European Law Faculties Association (ELFA), our School offers international relations and events, the Erasmus+ program, national and international fictional court contests, law and art days prepared by our student networks, or career forums in law to collaborate in the personal development of our students.

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Modernite sanattan hukuka birçok kavramın tanımlanmasında ve şekillenmesinde rol oynayan bir olgu olarakkarşımıza çıkmaktadır. Makalede modernite kavramı üzerinde durularak sanata yansıyan boyutuyla bir değerlendirme yapılacak, modernitenin kendine dair oluşturduğu savların alt metinlerini görebilmek için Slavoj Zizek’inönerdiği paralaks bakış önerilecektir. İnceleme açısından ütopik ve distopik metinler arasından Metropolis filmiseçilmiştir. Söz konusu paralaks bakışın modernitenin ortaya koyduğu hukuk kurgusuna da uygulanması Metropolis filmi üzerinden gerçekleştirilmeye çalışılacak ve modern hukukun distopik mi yoksa ütopik bir kurgu mu olduğuortaya konmaya çalışılacaktır.

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Çankaya Üniversitesi Hukuk Fakültesi Dergisi

Volume

5

Issue

1

Start Page

1691

End Page

1709

URI

https://search.trdizin.gov.tr/en/yayin/detay/382477/modernitenin-hukukuna-metropolis-filmi-baglaminda-paralaks-bir-bakis
 https://hdl.handle.net/20.500.14411/10045

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