Eastern Male Image in Contemporary Oriental Media: the Novel and Movie of the Lustful Turk

Loading...
Publication Logo

Date

2021

Journal Title

Journal ISSN

Volume Title

Publisher

IGI Global

Open Access Color

Green Open Access

No

OpenAIRE Downloads

OpenAIRE Views

Publicly Funded

No
Impulse
Average
Influence
Average
Popularity
Average

Research Projects

Journal Issue

Abstract

When the Ottoman Empire in the 17th century was at the peak of its power, British and French merchants who came to Istanbul were writing so-called memories of harems to their homeland, and these letters composed the image of Eastern male in Orientalism and details of Muslim male image, which was one of the most important prototypes. The details which were written by non-Muslims who had no chance to even come near to Sultan's private life, recounted a period of literature to politics. Moreover, Muslim males who were called "not lustful Turk" in the past also have to face some kind of vexatious accusations today because of this created identity. In the same year, the producers proposed that The Lustful Turk movie had a big budget and an ambitious project; they were trying to affect potential audience. In this study, The Lustful Turk's novel segments and the movie are analyzed in detail to understand toplevel racist accusations to Eastern male image, especially the Turkish one. Also, contemporary media approaches will be evaluated from Edward Said's point of view. © 2021, IGI Global.

Description

Keywords

[No Keyword Available]

Fields of Science

Citation

WoS Q

Scopus Q

OpenCitations Logo
OpenCitations Citation Count
N/A

Source

Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond

Volume

Issue

Start Page

251

End Page

267

Collections

PlumX Metrics
Citations

Scopus : 0

Page Views

10

checked on Feb 17, 2026

Google Scholar Logo
Google Scholar™
OpenAlex Logo
OpenAlex FWCI
0.0

Sustainable Development Goals

SDG data is not available