Gender Representation in New Media Through Global Calendar Photographs
dc.authorscopusid | 56942420300 | |
dc.authorscopusid | 6602658803 | |
dc.contributor.author | Karabacak,Z.I. | |
dc.contributor.author | Özgen,O. | |
dc.contributor.other | Physics Group | |
dc.date.accessioned | 2024-07-05T15:50:03Z | |
dc.date.available | 2024-07-05T15:50:03Z | |
dc.date.issued | 2022 | |
dc.department | Atılım University | en_US |
dc.department-temp | Karabacak Z.I., TOBB University of Economics and Technology, Turkey; Özgen O., Atilim University, Turkey | en_US |
dc.description.abstract | New media that enables access to more people is a preferred platform by Lavazza for bringing together consumers from all around the world within the framework of coffee culture by means of photography. Lavazza calendar photos (1993-2012) have been analysed using Dyer's non-verbal communication means and lines of appeal under the following headings: "Sexually Highlighted Female Body in Lavazza Calendar Photos, " "Different Sexual Orientations as Secondary Emphasis of Lavazza Calendar Photos, " "Idealized Body Look of Models of Lavazza Calendars, " "Roles of Women and Men in Family in Lavazza Calendar Photos, " "Queens and Superheroines in Lavazza Calendars, " "Widespread Representation of White Race in Lavazza Calendar Photos, " "Italian Cities and Italian Local and National Items in Lavazza Calendars, " "Signs of Different Geography, Culture and Life Styles in Lavazza Calendar Photos, " and "Lines of Appeal in Lavazza Calendar Photos. " According to the findings, both non-verbal means of communication in terms of gender and lines of appeal in Lavazza calendar photos in new media have changed over the years. © 2022, IGI Global. | en_US |
dc.identifier.citationcount | 0 | |
dc.identifier.doi | 10.4018/978-1-6684-4511-2.ch027 | |
dc.identifier.endpage | 471 | en_US |
dc.identifier.isbn | 978-166844512-9 | |
dc.identifier.isbn | 978-166844511-2 | |
dc.identifier.scopus | 2-s2.0-85164187915 | |
dc.identifier.startpage | 453 | en_US |
dc.identifier.uri | https://doi.org/10.4018/978-1-6684-4511-2.ch027 | |
dc.identifier.uri | https://hdl.handle.net/20.500.14411/4091 | |
dc.institutionauthor | Özgen, Özge | |
dc.language.iso | en | en_US |
dc.publisher | IGI Global | en_US |
dc.relation.ispartof | Research Anthology on Feminist Studies and Gender Perceptions | en_US |
dc.relation.publicationcategory | Kitap Bölümü - Uluslararası | en_US |
dc.rights | info:eu-repo/semantics/closedAccess | en_US |
dc.scopus.citedbyCount | 0 | |
dc.subject | [No Keyword Available] | en_US |
dc.title | Gender Representation in New Media Through Global Calendar Photographs | en_US |
dc.type | Book Part | en_US |
dspace.entity.type | Publication | |
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